BEGIN:VCALENDAR
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VERSION:2.0
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VEVENT
DTSTAMP:20191107T173418Z
DTSTART:20191115T100000Z
DTEND:20191115T183000Z
SUMMARY:Visualising Class. Class and the Visual Arts Today (1980-2019)
UID:{http://www.columbasystems.com/customers/uom/gpp/eventid/}h2o-k2c38e3
 9-bfx7rl
DESCRIPTION:The Department of Sociology at the University of Manchester a
 nd the Collège International de Philosophie are pleased to announce a on
 e-day interdisciplinary conference focusing on the representation of soc
 ial classes in contemporary art and visual culture. The notion of “class
 ” defines as much factual economic conditions as social representations.
  As such\, the possibility of interpreting societal conflicts\, psycholo
 gical traits and personal taste via this category rests\, at least in pa
 rt\, on shared images and imaginaries. From the nineteenth century throu
 gh to the 1970s\, painters\, filmmakers\, photographers and cartoonists 
 created powerful portrayals of social classes\, revealing recurrent moti
 fs and strong symbols of identity. Visualising Class seeks to explore ho
 w contemporary visual artists have engaged with the issue of class at a 
 time when staggering inequalities are ubiquitous\, but the notion of cla
 ss has virtually lost the political dimension that used to inform it. Th
 e conference invites scholars from various disciplines to examine figure
 s and icons that have emerged over the past forty years in order to prob
 lematise the vanishing\, persistence or mutation of classes.\n\nProgramm
 e\n\n10-10.15am Welcome speech and opening  remarks. Jacopo Galimberti (
 University of Manchester) \n\n10.15am-12.30am Session I. Women\, Migrant
  Workers and the Limits of Intersectionality Chair: Nicholas Thoburn (Un
 iversity of Manchester)\nAngela Dimitrakaki (University of Edinburgh) – 
 Women\, Work and the Class Relation: A Note on the Political Imaginary o
 f Feminist Art History Today\nKlara Kemp-Welch (The Courtauld Institute 
 of Art) – Visualising ‘Skill’: Contemporary Art and Labour Migration in 
 the EU Marina Vishmidt (Goldsmiths) – Between Equal Rights\, Seeing Deci
 de? Class and Other Struggles in the Image Field.\n\n12.30pm-1.30pm Lunc
 h\n\n1.30pm-3.45pm Session II. The People\, the Bourgeois and the Mask C
 hair: Jacopo Galimberti (University of Manchester)\nJulian Stallabrass (
 The Courtauld Institute of Art) – The Image of the People in Street Art?
  Stefan Jonsson (Linköping University) – Masked Collectivities: Imaging 
 Protest between Representation and Performativity Jörg Probst (Independe
 nt Scholar) – After the Middle Class? The German Wutbürger and the Icono
 logy of the Bourgeoisie.\n\n3. 45pm-4.15pm Coffee break \n\n4.15pm-6.30p
 m Session III. Rethinking Class and its Materiality. Chair: Elisa Pieri 
 (University of Manchester).\nNicholas Thoburn (University of Manchester)
  – Materialising Class at Robin Hood Gardens Danielle Child (Manchester 
 School of Art) – Unattractive Materials: Contemporary British Art and th
 e Visibility of Class Jérôme Bazin (Université Paris-Est Créteil) – The 
 Constant Heterogeneity of the Working Class.
STATUS:TENTATIVE
TRANSP:TRANSPARENT
CLASS:PUBLIC
LOCATION:Room G7\, Humanities Bridgeford Street\, Manchester
END:VEVENT
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