Torture and laughter: Political incarceration and the art of performing happiness in an urban Indian prison
| Dates: | 22 September 2014 |
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| Times: | 16:00 - 18:00 |
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| What is it: | Seminar |
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| Organiser: | School of Social Sciences |
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| Who is it for: | University staff |
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| Speaker: | Dr. Atreyee Sen |
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This paper explores the politics of prison art through oral testimonies of former female cadres of a Maoist-Naxal uprising in 1970s India. It specifically focuses on guerrilla women who were captured, incarcerated and pitilessly beaten by prison officials in the women's correctional facility under the surveillance of the Alipore Central Jail in Calcutta, a city in eastern India. My ethnography attempts to reconstruct a volatile urban past through re-memorising the experiences of political detainees, and employs women’s voices to revive indigenous and informal notions of justice and resistance (at a time when ‘humanitarianism’ and ‘civil rights’ were abstract ideals in Indian political practices). My research shows how prisoners organised crude musical performances, played 'happy families' and enacted spontaneous puppet shows in the face of torture and anguish, primarily to challenge their brutal encounters with various disciplinary orbits of the post-colonial penitentiary. I argue that these performances, coordinated by both convict and guerrilla women, exhibited an affective and resilient political aesthetic, which in turn contested repressive cultures of confinement at a critical stage in the political history of the region. Taking a small step away from penological research on the management of political imprisonment, the paper attempts to highlight how punitive and silencing state practices (Scarry 1985) and the governance of social enclosures (Deleuze 1992) can be defied by creative cultural imagination. Thus my analysis eventually contributes towards an anthropology of human herding. It narrativises a peculiar relationship between art and survival within a non-western detention system which enacted routine violence on the bodies of the 'dangerous others', and yet these spaces of regimentation continue to remain camouflaged by their intangible location in the wider public imagination.
Speaker
Dr. Atreyee Sen
Organisation: University of Manchester
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Arthur Lewis Building
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